{"id":367,"date":"2015-06-21T01:13:12","date_gmt":"2015-06-21T01:13:12","guid":{"rendered":"http:\/\/tobiasvolkmann.com\/debut-in-chile-with-work-on-gabriela-mistral-2\/"},"modified":"2015-06-21T01:14:18","modified_gmt":"2015-06-21T01:14:18","slug":"debut-in-chile-with-work-on-gabriela-mistral","status":"publish","type":"post","link":"https:\/\/tobiasvolkmann.com\/de\/debut-in-chile-with-work-on-gabriela-mistral\/","title":{"rendered":"Deb\u00fct in Chile mit dem Nationalorchester"},"content":{"rendered":"<p>Tobias Volkmann deb\u00fctierte in Santiago als Gastdirigent des Nationalorchester von Chile. Im Programm waren <em>Sonetos de la Muerte<\/em>, Orchesterlieder von Alfonso Letelier nach Gedichten von Gabriela Mistral, Mozarts Symphonie nr. 39 und Cherubinis Requiem in C-Moll.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"73ijRvd1Ka\"><p><a href=\"https:\/\/radio.uchile.cl\/2011\/10\/25\/la-voz-de-gabriela-mistral-vuelve-a-resonar-con-la-sinfonica\/\">La voz de Gabriela Mistral vuelve a resonar con la Sinf\u00f3nica<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;La voz de Gabriela Mistral vuelve a resonar con la Sinf\u00f3nica&#8221; &#8212; Diario y Radio Universidad Chile\" src=\"https:\/\/radio.uchile.cl\/2011\/10\/25\/la-voz-de-gabriela-mistral-vuelve-a-resonar-con-la-sinfonica\/embed\/#?secret=73ijRvd1Ka\" data-secret=\"73ijRvd1Ka\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tobias Volkmann deb\u00fctierte in Santiago als Gastdirigent des Nationalorchester von Chile. Im Programm waren Sonetos de la Muerte, Orchesterlieder von Alfonso Letelier nach Gedichten von Gabriela Mistral, Mozarts Symphonie nr. 39 und Cherubinis Requiem in C-Moll. La voz de Gabriela Mistral vuelve a resonar con la Sinf\u00f3nica<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-367","post","type-post","status-publish","format-standard","hentry","category-neues"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":5}},"acf":[],"_links":{"self":[{"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/posts\/367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/comments?post=367"}],"version-history":[{"count":1,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/posts\/367\/revisions"}],"predecessor-version":[{"id":369,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/posts\/367\/revisions\/369"}],"wp:attachment":[{"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/media?parent=367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/categories?post=367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tobiasvolkmann.com\/de\/wp-json\/wp\/v2\/tags?post=367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}